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lindagray

I KNOW WHY THE CAGED BIRD SINGS, BABEL-17 & SPLAY ANTHEM

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17. I KNOW WHY THE CAGED BIRD SINGS // MAYA ANGELOU

The cover of 'I Know Why the Caged Bird Sings' by Maya Angelou

If you're going to read anything by the late, great, prophetic poet Maya Angelou, I Know Why the Caged Bird Sings should be at the top of your list. It provides an in-depth look at the obstacles that shaped her early life. Angelou's childhood and teenage years were nomadic, as her separated parents moved her and her brother from rural Arkansas to St. Louis, Missouri, and eventually to California, where at different times she lived in Los Angeles, San Francisco, and Oakland. Besides the blatant racism she saw unfold around her in the South, a young Maya also faced childhood rape, and as a teen, homelessness and pregnancy. After its release in 1969, Angelou, who was initially reluctant to write the book, became the first African-American woman to have a nonfiction bestseller.

18. BABEL-17 // SAMUEL R. DELANY

The cover of 'Babel-17' by Samuel R. Delany

In 2015, Samuel R. Delany told The Nation that when he first began attending science fiction conferences in the 1960s, he was one of only a few black writers and enthusiasts present. Over the years, with his contributions and the work of others like Octavia Butler—whom he mentored—he opened doors for black writers in the genre. If you're looking for a sci-fi thriller taking place in space and centering a woman leader protagonist, Delany's 1967 Nebula Award-winning Babel-17 is the one. Rydra Wong, a spaceship captain, is intrigued by a mysterious language called Babel-17 that has the power to alter a person's perception of themselves and others, and possibly brainwash her to betray her government.

19. SPLAY ANTHEM // NATHANIEL MACKEY

The cover of 'Splay Anthem' by Nathaniel Mackey

Readers of Nathaniel Mackey's poetry are often intrigued by his ability to merge the worlds of music (particularly jazz) and poetry to create soul-grabbing rhythmic prose. Splay Anthem is a masterful work exhibiting his style. The 2006 collection includes two poems Mackey had been writing for more than 20 years: "Song of the Andoumboulou," about a ritual funeral song from the Dogon people of modern-day Mali; and "Mu." Splay Anthem is woven into three sections, "Braid," "Fray," and "Nub," in which two characters travel through space and time and whose final destinations are unclear. Mackey's nonlinear form is deliberate: "There's a lot of emphasis on movement in the poems, and there's a lot of questions about ultimate arrival, about whether there is such a state or place," he said in A Community Writing Itself: Conversations with Vanguard Writers of the Bay Area.

mentalfloss.com

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